| The House on the Borderland | |
|---|---|
cover of The House on the Borderland |
|
| Author(s) | William Hope Hodgson |
| Country | United Kingdom |
| Language | English |
| Genre(s) | Horror novel |
| Publisher | Chapman and Hall |
| Publication date | 1908 |
| Media type | Print (Hardcover) |
| Pages | 300 pp (1st edition) |
| ISBN | NA |
The House on the Borderland is a supernatural horror novel by British fantasist William Hope Hodgson.
Contents |
In 1877, two gentlemen, Messrs Tonnison and Berreggnog, head into Ireland to spend a week fishing in the village of Kraighten. Whilst there, they discover in the ruins of a very curious house a diary of the man who had once owned it. Its torn pages seem to hint at an evil beyond anything that existed on this side of the curtains of impossibility. This is a classic novel that worked to slowly bridge the gap between the British fantastic and supernatural authors of the later 19th century and modern horror fiction. Noted American horror writer H. P. Lovecraft lists this and other works by Hodgson among his greatest influences.[1]
Two good friends, Tonnison and Berreggnog, travel to the remote village of Kraighten in rural Ireland. On the third day of their trip, they stumble upon the ruins of a strangely-shaped house bordering a large lake. They discover the mouldering journal of the Recluse, an unidentified man who recorded his last days in the house before its destruction.
The Recluse begins his journal with descriptions of how he acquired the house, along with his daily life with his sister and his faithful dog, Pepper. He confides that he is starting the diary to record the strange experiences and horrors that were occurring in and around the house. The Recluse relates a vision in which he travels to a remote and vast arena, "the plain of silence," surrounded by mountains with representations of mythological beast-gods, demons, and other "bestial horrors" on their slopes. In the center of the plain stands a house almost identical to his own, save that the house in the arena is much larger and appears to be made of a green jade-like substance. Along the way, he sees a huge, menacing humanoid swine-thing.
After his vision of the "arena," he becomes fascinated with the pit adjacent to his house (Ireland), and begins to explore it. Shortly after this he is attacked by humanoid pig-like creatures that he names "the swine-things" which appear to have their origin from somewhere in the depths of a great chasm found under the house (accessed through a pit on the other side of the gardens) . The struggle with these creatures lasts for several nights of greater and greater ferocity, yet in the end, the man kills several of the swine things, and apparently drives them off. As he searches for the origin of the Swine-things, the man explores a pit in the gardens were the river ends and flows underground. There he finds a tunnel leading to a great chasm under the house. When rock slides dam the water in the pit, trapping the man, his dog Pepper rescues him. By the time that the two men find the journal, the obstructed water has overflowed the pit to create the lake.
The house transports him inter-dimensionally to an unknown place called 'the sea of sleep' where he briefly reunites with his lost love.
A short time later, the man notices that day and night have begun to speed up, eventually blurring into a never-ending dusk. As he watches, his surroundings decay and collapse to dust. The dead world slowly grinds to a halt as the sun goes out after several million millennia. Once the world ends, the man floats through space, seeing angelic, human, and demonic forms passing before his eyes. Later, he finds himself back in his own study on Earth, with everything apparently returned to normalcy—with the one exception of Pepper, who is dead.
To make matters worse, the malicious swine-beast from his earlier journeys to the 'arena' has managed to follow him back to his own dimension. The creature infects the man's new dog with a luminous fungal disease. Although the man shoots the suffering animal, he also contracts the disease. The manuscript ends with the man locked (from the outside only) in his study as the creature comes through a trap door in the basement, that opened directly over the chasm under the house.
Tonnison and Berreggnog search for information on the man and his circumstances. They find that the only knowledge of the house was that it was a place long of evil repute and had mysteriously fallen into the chasm. They leave Kraighten and never return.
The book is a milestone that signals a radical departure from the typical gothic supernatural fiction of the late 19th century. Hodgson creates a newer more realistic/scientific cosmic horror that left a marked impression on the people who would become the great writers of the weird tales of the middle of the 20th century, most notably Clark Ashton Smith, and H. P. Lovecraft.[2]
This novel was first released in Britain by Chapman and Hall, Ltd. London in 1908. Its most popular version was by Arkham House Press, Sauk City, Wisconsin, in 1946 as part of The House on the Borderland and Other Novels, the same publishers that brought out many books by other authors of weird fiction, such as H. P. Lovecraft.
In 2003 DC Comics’ mature reader imprint Vertigo published a 96-page color graphic-novel adaptation The House on the Borderland, with story by Simon Revelstroke and art by Richard Corben. The book is available in soft and hardcover and contains an introduction by British comic writer Alan Moore. Revelstroke updated Hodgson's initial "manuscript discovery" frame to 1952 Ireland, and while he made an effort to retain most of the original plot and dialogue, excepting the very last page the climax is purely Revelstroke's invention. In the credits, Revelstroke listed himself as a "Carnacki Fellow" currently "teaching at the Glen Carrig School of Nautical Horticulture", both direct (and fictional) references to Hodgson's other literary works. The adaptation was nominated for Best Graphic Novel of the Year by the International Horror Guild.
The English Doom metal band Electric Wizard featured the song "The House on the Borderland" on their 2008 Electric Wizard/Reverend Bizarre split EP. As part of their debut EP Los Wattsons : Toma 1, the Spanish pop band Los Wattsons offered "La casa más allá del confín de la tierra", the lyrics and music of which strive to recreate the spirit of the Hodgson tale.